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    <title>Hollywood on rockcampbell</title>
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      <title>AI Slop vs. Regular Hollywood Slop</title>
      <link>https://rockcampbell.com/posts/ai-slop-vs-hollywood-slop/</link>
      <pubDate>Thu, 16 Jul 2026 09:00:00 -0500</pubDate>
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      <description>&lt;p&gt;&lt;strong&gt;&lt;a href=&#34;https://www.theverge.com/entertainment/965616/ash-koosha-odysseus-the-fall-foundtain-zero-tilly-norwood&#34;&gt;AI slop movies are the new direct-to-video cash grabs&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&#xA;&lt;p&gt;The Verge&amp;rsquo;s write-up on Fountain 0&amp;rsquo;s &lt;em&gt;Odysseus: The Fall&lt;/em&gt; — an AI-generated knockoff of Nolan&amp;rsquo;s new Odyssey, made for a &amp;ldquo;mid-five-figure&amp;rdquo; budget by a guy who wrote, directed, edited, and voiced the entire cast himself — treats the whole thing as a scandal, an insult to real filmmaking riding on a real director&amp;rsquo;s coattails. Fair enough. But here&amp;rsquo;s my question: a step down from &lt;em&gt;what&lt;/em&gt;, exactly? Hollywood&amp;rsquo;s spent the last several years running the algorithm on legacy sequels, IP nobody asked to revisit, and remakes of remakes, and calling it a release slate. Somewhere in there, the human-made stuff already crossed the line into slop. AI didn&amp;rsquo;t lower the bar. It just found out where the bar already was — and I don&amp;rsquo;t think most people are going to notice the difference.&lt;/p&gt;</description>
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